THE
FACULTY
SENATE
Senate
Document Number 1806S
Date
of Senate Approval
-
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
- - - - - - - - - - - - - - -
Statement
of Faculty Senate Action:
Document 13: Change
Titles and Descriptions for MUSC 351, 352, 353;
Addition of New Courses MUSC 358, 359, 360, 493, 494.
Effective Date: Fall 2006
1.
Delete: On pg. 190,
the title and course description for MUSC
351:
Add: On pg.
190, in place of deleted entry:
Music
History and Literature to 1600 (2)
The history of music from antiquity through the 16th
century with an analysis of the respective literature. Every third semester.
Delete: On pg. 190,
the title and course description for MUSC
352:
Add: On pg. 190, in place of
deleted entry:
Music
History and Literature, 1600-1827 (2)
The music of the Baroque through the Classical
periods including style analysis of appropriate literature. Presentations in this course will prepare students
for demonstrating oral competency. Prerequisite: MUSC 232; or permission of
instructor. Every third semester.
Delete: On pg. 190,
title and course description for MUSC
353:
Add: On pg. 190,
in place of deleted entry:
Music History and Literature Since 1827 (2)
Survey
and analysis of 19th through early 21st century developments
including the study of Romanticism, Impressionism, Classicism, Stravinsky, Bartok, the Schoenberg School, atonality, Minimalism,
electronic and experimental music. Presentations in this course will prepare
students for demonstrating oral competency. Every third
semester.
Impact: None.
Rationale:
Jazz Studies majors do not take MUSC 351. This means that under the
current arrangement they do not study Baroque improvisation. This compresses a
great deal of material into the first semester so that the pace of coverage is
uncomfortably rapid. The third semester has only a third of the amount of
material as the first semester and seems to move rather slowly. Restructuring
the courses will allow a more equitable distribution of material covered by
each course.
2. Add: On
pg. 190, new course, MUSC 358:
358 Electronic Music Composition I (3)
A study of the techniques, history, literature and
aesthetics of classical analog and digital electronic music synthesis and
composition; hands-on introduction to techniques. A composition project is required. Prerequisite:
MUSC 232; or permission of the instructor. Fall.
Add: On pg. 190, new course, MUSC 359:
359 Electronic Music Composition II (3)
A continuation of 358, emphasizing study of advanced
compositional techniques. A
composition project is required. Prerequisite: MUSC 358; or permission of the instructor.
Spring.
Impact: None.
Rationale: After Dr. Robert Moog left the UNCA faculty, we
stopped offering these courses, previously numbered 333, Electronic Music
Composition--Analog and 334, Electronic Music Composition--Digital. Due to
changes in music technology and emerging developments in synthesis and
compositional techniques, the department decided to create new courses instead
of reconfiguring the old ones; we believe that it is more appropriate to use an
analog/digital hybrid approach, rather than isolating the two technologies. We
recently obtained non-state funding to fully equip an electronic music
laboratory with Moog equipment. The music department has a full-time faculty
member who is an expert in electronic music composition and who will be
teaching the courses. These courses enhance the B.S. in Music Technology
curriculum, and can also be used as upper-level electives required of music
majors in the B.A. (General Music) program.
3. Add: On pg. 190, new course, MUSC 360:
360 Music and the Human Organism (3)
A
study of the effects of sound and music on the human organism viewed from both
Eastern and Western perspectives. Even years Spring.
Impact: None.
Rationale:
This
course has been offered as a special topics class several times over the past
eight years. It has proven to be a very popular class with both majors and
non-majors. It can also serve as one of the two upper-level electives required
of music majors in the B.A. (General Music) program.
4. Add: On pg. 192, new courses, MUSC 493 and 494:
493,
494 Advanced
Applied Music I, II (2, 2)
Individual weekly lessons and a one-hour
weekly group meeting.
(B.A. students must be enrolled in Applied Music during the semester they perform
their degree recital.) MUSC 493 prerequisite: MUSC 492. MUSC 494 prerequisite:
MUSC 493. Fall and Spring.
Impact: None.
Rationale:
This
course has been offered as a special topic class for many years. These courses enable
students who have completed the applied music courses required for the B.A. in
Music degree to pursue advanced studies.